Not Your Ordinary Oscar Picks
Oscar statuette in bronze. This is an early form of the statue before it is dipped in gold.
(Photo ©Tom Hyland)
The Academy Awards are this Sunday, so time for a few of my fearless picks. Actually over the past few years, it's become a little easier, especially for the major awards (Acting, Director, Best Picture) thanks to the slew of award ceremonies held before the Oscars. In fact, it's become a little boring in recent years, as we have witnessed the same person who won the Golden Globe and then the Screen Actor's Guild award claim the Oscar, so there's been almost no drama over recent times (the same has been holding true for the writing awards as well). There's nothing wrong with this, except to say that it's not as fun to watch the ceremonies when you know who's going to win.
Is there anyone out there who thinks anyone BUT Colin Firth will win Best Actor for his performance in The King's Speech? He deserves it of course, as he did a brilliant job putting life and breath into a famous historical character. It's just that the moment he wins will be a bit anticlimactic, as he's already won several awards for this performance. The only drama will be listening to his acceptance speech, so let's hope that Firth has an eloquent moment that's worthy of the film and this honor.
I am rooting for Geoffrey Rush for his supporting performance in the same film as I think he was absolutely brilliant in his portrayal of Lionel Logue, the king's speech therapist. I've never been that impressed by Rush's previous work; while good, I never thought he showed that much range. But in this film, he is a revelation and brings a nice touch of humanity and dry humor to this character and is a perfect foil as a simple man working with a royal subject; as with all great performances, I can't imagine anyone else in this role. I'm rooting for him, but all indications point to Christian Bale walking away with this award for his work in The Fighter.
So on with the Oscar picks and in keeping with my tradition, I'm only going to discuss a few categories, starting with:
BEST SONG
So let me get this straight, the music branch of the Academy chooses only four nominations for this award and not five? And THESE are the four they came up with? Let me discuss these one by one:
"I See the Light" from Tangled
This is a forgettable, slightly sappy tune co-written by Alan Menken. While I don't go around humming his work every day (in fact, I can't recall the last time I hummed any of his work), the man did co-write some very good movie tunes, such as "A Whole New World" from Aladdin and "Colors of the Wind" from Pocohantas. This new song though is not in the same league as those award winners.
"We Belong Together" from Toy Story 3
After the wonderful songs Randy Newman wrote for the first twoToy Story movies, it's clear that his batteries weren't fully charged when he wrote this song. It's pleasant enough, like even the most minor songs from Newman, but this just isn't his best work. Only in a year like this could this song be nominated.
"If I Rise" from 127 Hours
This is just an awful song with a dreadful three-note bass line that drives me up the wall. I'd be shocked if this actually won.
"Coming Home" from Country Strong
This is a pretty good country song - not as good as the best songs that are up for awards at the Country Music Association event - but one that is a standout in this group.
By the way, given that only four songs were nominated this year, I have a choice for the fifth nominee. That would be "Home" fromWall Street 2: Money Never Sleeps, written by David Byrne and Brian Eno. It's got a haunting melody and I love the lyrics, which question the security of home for all of us:
Home - such a funny feeling
Home - no one ever speaking
This is, without question, the best song I heard in a movie in 2010 and in opening the picture, it sets the table for the message that the film delivers. If it were up to me, this would have won the Oscar for Best Song this year.
But it wasn't nominated, so I'm going with "Coming Home", as it's easily the best of the nominated songs. But will enough voters have heard this song?
Is there anyone out there who thinks anyone BUT Colin Firth will win Best Actor for his performance in The King's Speech? He deserves it of course, as he did a brilliant job putting life and breath into a famous historical character. It's just that the moment he wins will be a bit anticlimactic, as he's already won several awards for this performance. The only drama will be listening to his acceptance speech, so let's hope that Firth has an eloquent moment that's worthy of the film and this honor.
I am rooting for Geoffrey Rush for his supporting performance in the same film as I think he was absolutely brilliant in his portrayal of Lionel Logue, the king's speech therapist. I've never been that impressed by Rush's previous work; while good, I never thought he showed that much range. But in this film, he is a revelation and brings a nice touch of humanity and dry humor to this character and is a perfect foil as a simple man working with a royal subject; as with all great performances, I can't imagine anyone else in this role. I'm rooting for him, but all indications point to Christian Bale walking away with this award for his work in The Fighter.
So on with the Oscar picks and in keeping with my tradition, I'm only going to discuss a few categories, starting with:
BEST SONG
So let me get this straight, the music branch of the Academy chooses only four nominations for this award and not five? And THESE are the four they came up with? Let me discuss these one by one:
"I See the Light" from Tangled
This is a forgettable, slightly sappy tune co-written by Alan Menken. While I don't go around humming his work every day (in fact, I can't recall the last time I hummed any of his work), the man did co-write some very good movie tunes, such as "A Whole New World" from Aladdin and "Colors of the Wind" from Pocohantas. This new song though is not in the same league as those award winners.
"We Belong Together" from Toy Story 3
After the wonderful songs Randy Newman wrote for the first twoToy Story movies, it's clear that his batteries weren't fully charged when he wrote this song. It's pleasant enough, like even the most minor songs from Newman, but this just isn't his best work. Only in a year like this could this song be nominated.
"If I Rise" from 127 Hours
This is just an awful song with a dreadful three-note bass line that drives me up the wall. I'd be shocked if this actually won.
"Coming Home" from Country Strong
This is a pretty good country song - not as good as the best songs that are up for awards at the Country Music Association event - but one that is a standout in this group.
By the way, given that only four songs were nominated this year, I have a choice for the fifth nominee. That would be "Home" fromWall Street 2: Money Never Sleeps, written by David Byrne and Brian Eno. It's got a haunting melody and I love the lyrics, which question the security of home for all of us:
Home - such a funny feeling
Home - no one ever speaking
This is, without question, the best song I heard in a movie in 2010 and in opening the picture, it sets the table for the message that the film delivers. If it were up to me, this would have won the Oscar for Best Song this year.
But it wasn't nominated, so I'm going with "Coming Home", as it's easily the best of the nominated songs. But will enough voters have heard this song?
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